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The plot mechanics are ever so slightly different, but this “West Side Story” is, of course, set in 1950s New York City and is heavily inspired by Shakespeare’s “Romeo and Juliet.”Īnd while the Broadway show’s iconic musical numbers have gotten exciting new treatments, the genius of composer Leonard Bernstein and lyricist Stephen Sondheim comes through loudly and clearly on a state-of-the-art theater sound system. It certainly doesn’t try to invent the storytelling wheel. That is how the “West Side Story” crafted by Spielberg and a number of acclaimed collaborators, including Tony Award-winning writer Tony Kushner (“Angels in America”), plays - like an incredibly loving tribute to the musical and first film.
But everyone involved entered this project with tremendous love and respect, bordering on reverence, for the show and obviously for its legendary creators.” The riskiness of this enterprise was not lost on any of us. “You have to demand of yourself, over and over again, justification for treading on what feels like sacred ground. “It’s very intimidating to take a masterpiece and make it through different eyes and different sensibilities without compromising the integrity of what is generally considered the greatest music ever written for the theater,” Spielberg says, adding he believes great stories should be told again and again. (Violence, nudity, sexual situations, profanity.In the production notes for the film hitting theaters this week, the director of films ranging from “Jaws” to “The Color Purple” to “Schindler’s List” - who counted late Wise among his close friends and talked to him about the original “ad nauseam” - says this may have been the most daunting challenge of his decorated career. Coleman, Patton and Kevin McCarthy make the best of underdeveloped characters. Lisa Blount is strong as theĪmbitious DA briefly suspected of the murder. Wirth is effective as the mysterious Martin. It is hard to believe that a woman as intelligent and accomplished as Gwen would fall into Martin's trap. But in a scuffle in Gwen's attic, Martin is killed.īedelia gives an engaging performance, but her interpretation of the central character may be the film's fatal flaw. Rather than kill Gwen, he wants to see her imprisoned, like his father. Weapon and prove her innocence, Martin returns. She learns that she had sentenced Martin's father to life imprisonment. Knowing that her arrest is imminent, Gwen frantically researches her past cases to discover Martin's identity and motive. She brings the police to Martin's loft, but he has disappeared. She assumes that her husband has framed her, but then she learns that Martin is the one who set Gwen presides over the case, and discovers that evidence planted at the crime scene links her to the murder. Charles is found murdered, and one of his many lovers is arrested for the crime. Her jealous husband Alan (Will Patton) knows Gwen is cheating, but suspects that her lover is attorney Charles Mayron (Dabney Coleman), Gwen's friend andĬolleague. Her marriage on the rocks, Judge Gwen Warwick (Bonnie Bedelia) begins an illicit affair with a young library clerk, Martin (Billy Wirth).
It was released direct to home video after some 1994 festival showings. William Bindley's debut feature aspires to the John Grisham league of legal thriller but, with a pedestrian plot and a lack of sustained suspense, JUDICIAL CONSENT falls well short.